Production[ edit ] The name of the film refers to the enormous, former city gate "between modern day Kyoto and Nara ", on Suzaka Avenue's end to the South. Development[ edit ] Kurosawa felt that sound cinema multiplies the complexity of a film: Real sound does not merely add to the images, it multiplies it. I wanted to restore some of this beauty.
More Essay Examples on Confucius Rubric It is not invented by Confucius; this is not only his concept of rites — this was built into some languages. So, we can see that every folk, every civilization attached importance to greeting. Actually, not only your greeting, but also other rites must be sincere.
If you act, according to this, you will notice that people greet you with smile and pleasure too, because they feel your sincerity.
So, all the external acts of behavior should be learned accurately and deeply. Important thing to remember is that you must understand their significance — why they are so. Following rituals, customs, rites, etiquette, and morals, we must realize why we follow them.
Thus there is a very difficult relationship between Li and Yi. Furthermore rightness can be understood differently.
It depends on many various factors: For instance, in one country there is normal for women and men to show their love to each other: As you can see rituals, customs, rites, etiquette, and morals are conceived differently in different circumstances.
Consequently I can infer that there is no one and definite comprehension about Yi. Every day we hear some stories from our friends, from family members or even from the TV usually the news: So, every day somebody tells us something, and we always believe him or her because they are the people we know and trust; it means that our approaches to life are quite similar, so our opinions about what happens will be the same.
So, everything can be told differently. The film tells us five different stories about one occurrence: All these stories belong to the witnesses woodcutter and priestinjured samurai and his wife, and the accused brigand Tajomaru.
The problem is that all their narratives contradict each other. The first story is told by the woodcutter. He says that the same day he saw the samurai with his wife travelling together. Third story belongs to the bandit Tajomaru.
The first difference is that she says that Tajomaru left after raping her. His look disturbed her so much that she fainted with dagger in hand. Then she awoke to find her husband with the dagger in his chest.
After this she tried to kill herself but all her efforts failed. But his story differs from others too.
He claims that after the rape Tajomaru asked the wife to follow him. Tajomaru was shockedby her words, pushed her and asked samurai what he should do with her.
His wife ran away, Tajomaru left trying to catch her, and samurai killed himself with that dagger; later somebody removed it from his chest.
The one who revealed all secrets of that mysterious incident is the woodcutter. Anyway, they fought very apprehensively, and in the end Tajomaru killed samurai.
To be honest, firstly it was very difficult for me. I could hardly understand the connection because this film is quite complicated. I mean the allegorical and symbolic content. It describes five different stories about one happening: All five stories are contradictory, and initially I tried to untangle the clew and deduce the truthful one, but then it was the very strange end, which did not include the discovery of who was honest.
Only after that, analyzing the whole picture, I realized that it was not the goal of the film. It was not so important. The final scene shows us the attitude of different people to the abandoned baby.The Philosophy of Rashomon The film “Rashomon” – directed by famed Japanese filmmaker, Akira Kurosawa – is about an incident of violence and depravity that takes place some time around Feudal-era Japan, told through the perspectives of four different people, all witnesses to the incident.
I came across this very interesting essay in Aeon Magazine on philosophy in film, with particular reference to Rashomon.. Not only does the film flesh out the old notion that truth is man-made, but it dramatises and intensifies it in a way that philosophy alone is unable to.
Rashomon (羅生門, Rashōmon) is a Japanese period film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo attheheels.com stars Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi attheheels.com the film borrows the title from Ryūnosuke Akutagawa's short story "Rashōmon", it is actually based on Akutagawa's short story "In a Grove", which provides.
Why the title, _Rashomon_? It was one of the two stories, 'Rashomon' and 'In a Grove', that Kurosawa used to create the film, and a footnote in 'Rashomon' tells us more about that gate to Kyoto, more than anything mentioned in the film version. '[It] was the largest gate in Kyoto, the ancient capital of Japan.
Based in Oakland, CA, Ubuntu Theater Project creates unforgettable theatrical experiences that inspire compassion. Top Spiritually-Significant Films: Arts & Faith, an online discussion group comprised of film critics and other movie buffs, announced its list of the Top spiritually significant films ever made in mid, detailed below.
The top list, copyrighted by Arts & Faith, was used by permission.